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вЂњBefore TodayвЂќ represents a total reversal of this modus operandi: Pink worked with a proper band, in a professional recording studio, under the direction of a producer. He operated as a one-man band, laying down all the instrumental parts onto an 8-track mixer in his apartment and, amazingly, simulating drums using mouth-noises, human beat-box style. I didnвЂ™t want to make any new music until I got paid for it.вЂќД®verything Pink made before вЂњBefore TodayвЂќ was done solo. WhatвЂ™s he been doing these last five years then? Eking out a living by touring and releasing limited-editions collations of the old material, he says, while вЂњtrying to get a record deal. Until now, virtually everything he has released was created before November 2004. But not only were these rereleases of records Pink had put out a few years earlier on tiny labels operated by friends but the actual material had been recorded as far back as the late вЂ90s. PinkвЂ™s cult stature arrived quickly middecade when he was discovered by Animal Collective, which rereleased вЂњThe Doldrums,вЂќ followed by вЂњWorn CopyвЂќ and вЂњHouse Arrest,вЂќ on its fledgling label Paw Tracks. But Pink insists that вЂњBefore TodayвЂќ is вЂњthe first album.вЂќ Not only is it his debut for a big-deal label (4AD), itвЂ™s вЂњthe first record IвЂ™ve made with any kind of thought or consciousness that I have an audience.вЂќ He and his band will begin a national tour at the Echoplex in Echo Park on July 9. The Haunted Graffiti discography is a chaotic sprawl of ultra-limited-edition cassette, CD-R and vinyl releases, confused further by rereleases and reconfigurations of earlier material. Then he admits he doesnвЂ™t really like any of the bands heвЂ™s influenced, apart from a few that involve his friends and associates, including L.A.-based Nite Jewel (Ramona Gonzalez, the wife of his former guitarist Cole Marsden Greif-Neill).Дepending on how you calculate, вЂњBefore TodayвЂќ is PinkвЂ™s ninth album or his 24th. вЂњI know IвЂ™ve left my mark already,вЂќ Pink says, proudly. HeвЂ™s the godfather of the blog-buzz propelled genre known as chillwave, whose dreamy legion includes Neon Indian, Tory y Moi, Tape Deck Mountain, Washed Out, and dozens more. PinkвЂ™s signature sound - the collision of exquisitely melodic song craft influenced by вЂ80s mainstream pop with the loose ends and reverb-haze of lo-fi indie - has been forged widely in the last several years. But cutting through the stylization and the arch vocals is the ache of real pain and longing, the sting of a spite and cynicism that has roots in a troubled childhood. Like many of his indie-rock peers, Pink has worked as a record-store clerk and thereвЂ™s an aspect to his songs that is pure pastiche. At one point during the making of вЂњBefore Today,вЂќ in fact, he quit his own band.ДЄll this comes through in the musicвЂ™s combination of the swagger and epic drama of classic radio rock with the passive-aggressive vulnerability and petulance of bands like the Cure (PinkвЂ™s favorite as a Goth-loving teenager).

Its unusual trajectory mirrors the paradoxical qualities of his music and the contradictions of his personality, where fragility and neediness battle it out with self-grandeur and control-freakishness. Gobbling noodles, he discusses the strange twists and turns of his career. He forgot breakfast, so the next destination is a Thai fast-food joint in nearby Chelsea Market. Pink, whose real name is Ariel Rosenberg, is physically hungry too. A small, hunched figure who gives off a vague aura of spiritual malnourishment, heвЂ™s wearing a gray-hooded jacket, an orange-and-blue-striped shirt with a torn neckline, and clogs. In Manhattan the day before playing a May 4 concert, Pink is strolling along a post-industrial landmark in the formerly seedy meatpacking district: the High Line, a disused railroad viaduct recently converted into a long, narrow above-ground park.

Maybe thatвЂ™s why Pink, who lives in Highland Park, is talking up his new record вЂњBefore TodayвЂќ as his вЂњEast Coast album.вЂќ He describes the cover as вЂњRamones-ishвЂќ: ItвЂ™s a painting of Pink and band mates leaning against what could be a flophouse or derelict burlesque theater in a rundown outer borough of New York. ItвЂ™s been at the same level for the last 10 years.вЂќ Yet the frontman-leader of Ariel PinkвЂ™s Haunted Graffiti says that, compared with the cult love he gets elsewhere, вЂњIвЂ™m nothing in L.A.

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HeвЂ™s written songs with titles like вЂњBeverly KillsвЂќ and вЂњLife in L.A.,вЂќ and echoes of the cityвЂ™s musical past reverberate across his albums, from the Byrds and Love to Fleetwood Mac and the GermsвЂ™ Darby Crash. HeвЂ™s lived virtually his entire life in Los Angeles and canвЂ™t imagine living anywhere else.

Ariel pink best songs